What are these sounds of Poeme Electronique?
Sustained electronic tones, crescendo and decrecendo. Rhythmic percussive sounds. Higher sustained electronic tones, crescendo. “Airplane rumble,” “chimes,” jangling.
What is the materials used in Poeme Electronique?
The asbestos hardened the walls, creating a cavernous acoustic space. The spatialization scheme exploited the unique physical layout of the pavilion. The speakers stretched up to the apex of Le Corbusier’s points, and Varèse made great use of the possibilities, sending the sound up and down the walls.
Who is the composer of Poeme Electronique?
Edgard Varèse
Poeme Electronique/Composers
More than a quarter of a century had passed between Edgard Varèse’s experiments in the 1920s with electronic sound and his then recent composition, Poeme Electronique (1957-1958).
How many speakers that Varese used for his Poeme Electronique at the Brussels Exposition in 1958?
425 speakers
history of music recordings tape, such as Edgard Varèse’s Poème électronique, an 11-channel tape played through 425 speakers at the 1958 Brussels World Fair, and Morton Subotnick’s Silver Apples of the Moon (1967), an electronic work playable only as a recording.
How was Varese’s Poeme Electronique performed at its premiere?
Poème Eléctronique is a purely electronic work by Edgard Varese, which Delia heard in the company of Jonathan Harvey at its 1958 world première at Expo 58 in Brussels, played on 425 loudspeakers set into the walls of the Philips Pavilion.
How many beats per minute is allegro moderato?
Allegro moderato—moderately quick (112–124 BPM) Allegro—perhaps the most frequently used tempo marking (120–168 BPM, which includes the “heartbeat tempo” sweet spot) Vivace—lively and fast (typically around 168-176 BPM) Vivacissimo—very fast and lively, even faster than vivace.
What do we call the absence of tonality?
Atonality in its broadest sense is music that lacks a tonal center, or key.